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The Canon S70 Digital Camera Review:
Sensor Noise, Dynamic Range, and Full Well Analysis

by Roger N. Clark

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This page shows an analysis of noise, dynamic range, and full well capacity of a Canon S70 camera.

Procedures for performing this analysis are described in: Procedures for Evaluating Digital Camera Noise, Dynamic Range, and Full Well Capacities; Canon 1D Mark II Analysis

The lowest possible noise from a system detecting light is the noise due to Poisson statistics from the random rate of arrival of photons. This is called photon statistics, or photon noise. Noise from the electronics will add to the photon noise. We will see that the noise in Canon S70 images is limited by photon statistics at high signal levels and by electronic noise from reading the sensor (called readout noise) at very low signal levels. In the case of high signal levels, a system that is photon statistics limited enables us to directly measure how many photons the sensor captures, and by increasing the exposure, we can determine how many photons are required to saturate the sensor. That is called the full well capacity. With data on the lowest noise to the highest signal, we can then determine the dynamic range of the sensor.

Results

Results for determining read noise, gain, dynamic range and maximum signal-to-noise ratio are shown in Table 1. Column B is the gain derived from high signal data. Gains at ISOs higher than 50 are scaled relative to that at ISO 50. Read noise, Column C was determined from exposures with zero light on the sensor. Maximum signal, column D, is 8,200 electrons at ISO 50 for the Canon S70. That maximum occurs at a signal level just below maximum A-to-D converter output 3965/4096 in 12-bit data numbers (DN). Dynamic range, Column E = maximum signal / read noise, and column F shows that range in photographic stops. Higher ISO reduces the maximum electrons (photons) that are recorded relative to ISO 50 (e.g. ISO 400 sees half the electrons of ISO 200). The maximum signal-to-noise ratio, Column g, is the square root of the number of maximum photons recorded (e.g. square root 670 at ISO 200 = 46) (read noise is negligible for the high signal case).

Table 1: Canon S70: Derived Sensor Performance

 A        B            C          D         E        F         G
        Camera     Apparent
ISO      Gain     Read Noise   Maximum   Dynamic  Dynamic    Maximum
     (electrons/  (electrons)  Signal     Range    Range  Signal-to-Noise
      12-bit DN)             (electrons) (linear) (stops)     Ratio

  50     2.06         4.1       8,200     2000     11.0        91
 100     1.03         3.4       4,300     1260     10.3        66
 200     0.51         3.2       2,150      670      9.4        46
 400     0.26         4.3       1,080      250      8.0        33

An important factor in high ISO performance is collecting enough photons. Small pixels have difficulty doing just that. The direct effect of the number of photons collected is the gain needed to convert the signal from a pixel to a digital number. The gain of the camera is given in column B in Table 1. Once gain drops below 1 electron/DN, there is little point in increasing ISO further. On the Canon S70, unity gain occurs at about ISO 100. Thus, the effect of higher ISO only decreases dynamic range without helping to detect lower signals. For comparison, unity gain of some large pixel DSLR cameras (e.g. the Canon 1D Mark II) occurs around ISO 1300, indicating the DSLR collects 13 times more photons than the S70 for the same f/ratio lens and exposure time. In other words, the DSLR is about 13 times more sensitive. Another interesting property to compare with the DSLR is pixel area: the S70 has 2.3 micron pixel pitch, while the Canon 1D Mark II has an 8.2 micron pitch, and the ratio of the areas is (8.2*8.2)/(2.3*2.3) = 13, thus matching the difference in sensitivity.

The system linearity is shown in Figure 1, and is very good. System linearity includes the detector linearity, shutter reproducibility, f/stop reproducibility, and light source stability.

The signal-to-noise ratio as a function of intensity is shown in Figure 2. If the sensor is photon noise limited, the trend in this ratio is a square root dependence. If the system is photon noise limited, the signal-to-noise ratio squared directly equals the number of photons collected without needing gain conversions, or computing the slope of a line. The fact that the model matches the data very well indicates there are no other sources of noise contributing to the data at any significant level. Thus, for high signal levels, the Canon S70 is photon noise limited. This means further improvements in electronics will not improve the signal-to-noise ratio for high signal levels. If the quantum efficiency were improved with a different sensor, that would certainly improve the signal-to-noise ratio.


Figure 1. The Canon S70 shows a very linear trend with signal. Variations in signal level include repeatability of the shutter and aperture, as well as the light source. The model is the average high signal DN scaled according to exposure time and subtract read noise.


Figure 2. Signal-to-noise ratio observed and predicted. The prediction model uses photon statistics and read noise. Model is average DN scaled to electrons plus read noise. For this case, ISO 50, the gain is 2.06 electrons/camera DN (4096 levels), and the read noise is 4.1 electrons.


Figure 3. The electrons converted by the Canon S70 sensor are shown relative to an arbitrary exposure level. The sensor saturates at about 8,200 electrons, but is quite linear below that level.

Dark Current and Related Noise

Another noise component is due to dark current, which will increase with exposure time. Dark current and its noise is also a function of the temperature of the sensor and associated electronics.

Data to be added.

The noise model is:

N = (P + r2 + t2)1/2, (eqn 1)

Where N = total noise in electrons, P = number of photons, r = read noise in electrons, and t = thermal noise in electrons. Noise from a stream of photons, the light we all see and image with our cameras, is the square root of the number of photons, so that is why the P in equation 1 is not squared (sqrt(P)2 = P).

Conclusions

The data shown here for the Canon S70 shows that the camera is operating and near perfect levels for the sensor. This means that for high signals, noise is dominated by photon statistics. Noise at low signal levels is quite good and would be very difficult to improve further. In fact, the read noise is extremely low, even lower than that measured on some DSLR cameras at similar ISOs. The low read noise, below 4 electrons at ISO 100 and 200, is very impressive! To achieve higher signal-to-noise ratio images, a higher quantum efficiency sensor with a larger full well would be needed. Without increasing the full well capacity, the maximum signal-to-noise ratio would not improve. Improvements in quantum efficiency of about 3 are possible (Reference 2), but currently that would require much more expensive detectors, such as back-side illuminated CCDs. Note DSLRs have maximum full well capacities on the order of 50,000 electrons (e.g. Canon 20D) to 80,000 electrons (e.g. Canon 1D Mark II). Thus a factor of 3 improvement in quantum efficiency and full well capacity (3*8200 = 24,600 electrons) for the Canon S70 would still not match that found in large pixel DSLRs. For comparison with a large pixel DSLR, compare Table 1 and the figures with that for the Canon 1D Mark II Analysis.


References

1) CCD Gain. http://spiff.rit.edu/classes/phys559/lectures/gain/gain.html

2) Charge coupled CMOS and hybrid detector arrays
http://huhepl.harvard.edu/~LSST/general/Janesick_paper_2003.pdf

3) Canon EOS 20D vs Canon EOS 10D and Canon 10D / Canon 20D / Nikon D70 / Audine comparison
http://www.astrosurf.org/buil/20d/20dvs10d.htm

4) http://www.photomet.com/library_enc_fwcapacity.shtml

5) Astrophotography Signal-to-Noise with a Canon 10D Camera http://www.clarkvision.com/astro/canon-10d-signal-to-noise


Notes:

DN is "Data Number." That is the number in the file for each pixel. I'm quoting the luminance level (although red, green and blue are almost the same in the cases I cited).

16-bit signed integer: -32768 to +32767

16-bit unsigned integer: 0 to 65535

Photoshop uses signed integers, but the 16-bit tiff is unsigned integer (correctly read by ImagesPlus).


Back to: Digital Camera Sensor Analysis pages on this site: http://www.clarkvision.com/articles/index.html#sensor_analysis

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First published September 15, 2006.
Last updated September 16, 2006