by Roger N. Clark
Lighting, Composition, and Subject are the key factors in great photography. All the technical know how and gear mean little without great light, good composition and a nice subject. This article starts a series on the little know but all important factors in photographs with impact.
The Lighting, Composition and Subject Series:
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"Light makes photography. Embrace light. Admire it. Love it.
But above all, know light. Know it for all you are worth, and you will know the key to photography."
- George Eastman
It is light that reveals, light that obscures, light that communicates. It is light I "listen" to. The light late in the day has a distinct quality, as it fades toward the darkness of evening. After sunset there is a gentle leaving of the light, the air begins to still, and a quiet descends. I see magic in the quiet light of dusk. I feel quiet, yet intense energy in the natural elements of our habitat. A sense of magic prevails. A sense of mystery. It is a time for contemplation, for listening - a time for making photographs. -John Sexton
Light glorifies everything. It transforms and ennobles the most commonplace and ordinary subjects.
The object is nothing; light is everything.
- Leonard Misonne
Amateurs worry about equipment, Professionals worry about time, Masters worry about light.
"I knew, of course, that trees and plants had roots, stems, bark, branches and foliage that reached up
toward the light.
But I was coming to realize that the real magician was light itself...."
- Edward Steichen
There is no closed figure in nature. Every shape participates with another.
No one thing is independent of another, and one thing rhymes with another, and light gives them shape.
- Henri Cartier-Bresson
I am often asked by new photographers what it takes to learn photography. Here is what I think is most important.
I'm going to advise a non-traditional approach to learning photography. The traditional view to learning is to start out manual and learn all the settings. But the problem with this approach is it is highly technical and difficult for many to grasp. People new to photography can become so frustrated at the technical details that they never get to real photography. Or they become adept at making the perfect exposure, but do not understand light and fail to make photographs with impact or emotion.
The core of photography is lighting, composition and subject.
Now, I do not mean one should not learn the technical stuff, like exposure, ISO and depth of field, but modern cameras, even in program or other automated modes do a very good job of making good settings in many, but not all situations. For the beginning photographer, let the modern camera do that job while you learn the more important details of lighting, composition, and subject. Once you learn some about lighting, composition, and subject, you can start to include learning about exposure meters and when they might estimate poorly so you can correct it and make a better image. You can learn when to boost ISO and about depth-of-field.
It matters not what the f/stop ISO and exposure time are if you don't have great lighting, good composition, and an interesting subject. When the three of these come together, the photo has impact (assuming exposure is good, but most modern cameras automatically make good exposures).
So my advice is to read books and online tutorials on lighting, composition, and subject. Set your camera to program or auto everything to start out. Don't get bogged down in the technical details of f/stops, exposure, depth of field, ISO. Most modern cameras have sports, portrait, landscape and other modes. Use them first and learn lighting, composition, and subject.
After you are getting pretty good with lighting, composition, and subject, then you can start to learn what those different modes mean. After learning f/stops, ISO, exposure time, depth of field and other technical details, you can push to new heights in your photography, and perhaps making those "WOW!" photographs.
Once you learn the technical details, there are pretty much only two modes to use: aperture priority and manual. I was on a shoot when I wrote the first draft of this article. I did probably 90% of my images in manual, 10% in aperture priority. I do not use shutter priority because it can underexpose on some cameras, and I can control shutter speed by ISO and f/stop. (If this is over your head, it's OK; do not worry about it now; just concentrate on lighting, composition and subject.)
Some say shoot, shoot, shoot. I disagree. Others give some good advice: take notes and slow down. While getting out and making photographs is very important, there is a major difference between getting out and "shooting" versus getting out and making every image count.
After reading about lighting, composition, and subject, go out at different times of day. Start with one subject and try different things to make a great image. Different angles to the sun. If you read the right books and follow and understand lighting, composition, and subject, you will have a big head start. Now, the key in this study is to NOT take a lot of pictures. Learn to see: if it is not a great image in the viewfinder, don't take the picture. Make every image you take a winner (generally even the top pros with years of experience can't make every image a keeper). But the more experience and the more you understand lighting, composition, and subject, the more keepers you will have.
If you go out and the lighting, composition, or subject is not great, don't take a picture. Learning when not to take the picture is just as important as learning when to take the picture (Figure 2). Have you gone out with your camera gear and not taken a picture? This is the hardest thing for the novice to learn.
I have surveyed dozens of books in bookstores in addition to the few dozen photo books I have in my house. It is a rare book that really treats lighting well. There are books that discuss studio lighting, but natural light is rarely discussed for more than a few pages, and often with significant errors.
For example, here is one book: Bill Fortney's Great Photography Workshop, 2003 where he states "there are two basic kinds of light: specular and diffuse." Well, there are many other kinds of light. Specular light is light that is reflected in predominantly one direction. Diffuse light is reflected over many directions. There is also absorbed light, transmitted light, emission line light, polarized light, and continuous spectral emission light, to name a few. The light incident on a scene or subject may be directional, as in direct sunlight, or diffuse, as in light from a cloudy sky.
In the following series, I'll describe many concepts that are rarely known. Some master photographers seem to know these things but can not describe it, and may never have heard of the technical terms, like phase angle, but they understand the subtleties of the phase angle and intuitively use it to make great images. Hopefully with the information I present, you can use the knowledge to improve your photography faster.
The Lighting, Composition and Subject Series:
First Published May 5, 2009
Last updated November 1, 2014.